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The stories in Tales of Merlin, Arthur, and the Magic Arts deal with well-known figures from medieval Britain who will be familiar to many readers—though not from the versions presented here. These freshly translated tales emerge from the remarkable and enormous sixteenth-century Chronicle of the Six Ages of the World by the Welshman Elis Gruffydd.
Tales of Merlin, Arthur, and the Magic Arts revives the original legends of these Welsh heroes alongside stories of the continued survival of the magical arts, from antiquity to the Renaissance, and the broader cultural world of the Welsh. These stories provide a vivid and faithful rendering of Merlin, Arthur, and the many original folktales left out of the widespread accounts of their exploits.
On the verso of the last leaf of a twelfth-century manuscript containing the poetry of Hilarius, a student of Abelard, appears a faux charter purporting to have been issued by Arthur, king of the Britons, in the hundredth year of his immortality. In the act, Arthur thanks the descendants of his British subjects for their fidelity and grants them an exclusive franchise to fish in secret rivulets. The privilege contains two prohibitions: one prohibiting Britons from wearing shoes and the other prohibiting them from owning cats. This article provides a diplomatic edition, English translation and analysis of King Arthur’s Charter. It identifies the strange stipulations of the charter as tropes of anti-Breton satire, attested also in the Privilège aux Bretons (c. 1240), an Old French song that mocks the customs and occupations of impoverished Breton immigrants to thirteenth-century France.
C. Lloyd-Morgan s’intéresse à deux récits narrant l’enfance d’Arthur qui, écrits aux xve et xvie siècles, augmentent la partie arthurienne de l’Historia regum Britannie. Ces deux récits gallois s’ouvrent à une nouvelle influence : celle des romans arthuriens.
C. Lloyd-Morgan focuses on two narratives about Arthur’s childhood from the 15th and 16th centuries. These texts have extended the Arthurian part of the Historia regum Britannie and show the influence of a new literary trend : Arthurian romances.
The name of Arthur, the mythical war-leader and ideal king, probably referring to a second-century Roman commander in Britain, still lacks an etymology convincing in every detail. This short note reviews earlier proposals and presents a new explanation. Welsh Arthur < Latin Artōrius is the Latinized form of a Celtic patronym *Arto-rīg-ios, a derivative of *Arto-rīXs = Old Irish Art-rí.
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